Charles Ajunwa
The maiden edition of the International Sales and Distribution Executives (ISDE) programme, meant to address a critical gap in the entertainment industry has been inaugurated by Trino Motion Pictures in partnership with the Nigerian International Film Summit (NIFS).
The initiative addresses a pressing need in the creative industry, where talented individuals produce high-quality content but often lack the knowledge and skills to effectively market and monetise their work globally.
Twelve talented participants were inducted at the ISDE programme and induction held at Parkview Estate, Ikoyi, Lagos.
The participants include: Adetayo Adebowale, Dr. Sherif Adekunle, Ehinomen Azeta, Uneke Ekene, Faustina Okomayin, Lucy Adikwu, Mercy Akumute, Nneamaka Nwadei, Olatubosun Olasimbo, Precious lroagalachi, Daleshawn Butler and Temitope Sanni.
Managing Director of Trino Motion Pictures, Uche Okocha, said the programme was crafted to equip professionals with expertise in international sales, aggregation, licensing, and distribution.
According to him, the training programme was conceived after the company’s two-year experience attempting to handle sales and distribution roles.
He said a significant gap was encountered, which was a lack of structured pipelines for professionals and inadequate training facilities, which prompted the development of the programme.
Okocha, who underscored the importance of identifying potential, building capacity, and creating opportunities to build a sustainable film industry, said “The initiative addresses a pressing need in the creative industry, where talented individuals produce high-quality content but often lack the knowledge and skills to effectively market and monetise their work globally.”
According to him, the training that would feature both virtual and physical classes would run for six months.
“So the ISDE programme will have 12 finalists trained on the nitty-gritty of international sales and distribution for all formats: scripted, unscripted, TV formats, documentaries, films and all.
“This will be for six months and will feature international executives as resources persons that have been in the sales and distribution space for at least over 15 years.
“We are going to try and have a mix of the French territories, some of France, the UK, and Nigeria.
“The real goal is to train the next generation of professionals that can sell our content to a global audience, which is very important because we found that there are no training platforms for such.
“We hope to have this as an annual programme going forward and maybe expand it to 24 participants so that we can keep supporting the industry and the personnel that we require in that space of sales and distribution to keep growing.
“They will have the opportunity to visit local film markets, local festivals, and international festivals in the course of the training.”
On her part, Founder of the Nigerian Film International Summit, Ijeoma Onah, emphasised the need to create a balance between the business side of film and the creative side.
She said upon the completion of the programme, the participants would go on an internship programme with international organisations.
“People need to understand that film is a product, and if the right knowledge is in place, then we can begin to see sustainable businesses birthed.
“I want you to understand that it is time to step out and build your own network. You need to elevate your career.
“A lot has been invested in this programme. We demand a lot of concentration and focus from you.”
Programme Director for ISDE programme, Godwin Nzekwe, said, “Today marks the beginning of a bold and timely vision to prepare, equip, and position African creatives for the global stage through international storytelling, business strategy, and meaningful industry collaboration.
“The ISDE programme is not just a training. It is a launchpad for cross-cultural exchange, market access, and real transformation in our film and television space.
“Over the coming months, our participants will engage with global mentors, gain deep industry knowledge, attend major international markets, and complete a six-month internship with top-tier distribution companies.”
Executive Director, National Film and Video Censors Board (NFVCB), Dr. Shaibu Husseini, who commended the initiative underscored the importance of capacity building in developing a robust entertainment industry.
Husseini enlightened the creatives on the application procedure to procure the federal government’s Creative Economy Development Fund (CEDF), which would only warrant a creative’s intellectual property (IP) as collateral.
He encouraged them to apply for the fund, which would aid their operations in the industry.
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