To commemorate the World Poetry Day, an array of poets, performers and lovers of literature converged for the 3rd edition of Naija Poetry Fest held recently at Shodex Garden, Ilupeju, Lagos.
With the theme: ‘Poetry, A Face in Different Phases,’ the event delivered a rich and carefully curated programme that reflected the diversity and evolving nature of poetic expression.
The festival began with a lively red carpet reception, setting a vibrant tone for the day. Breakout sessions followed, engaging participants across multiple creative forms including poetry in motion, dance and drums, and art exhibition – an early signal of the interdisciplinary spirit that defined the event.
Anchored by Esther Abdullahi and Adesewa Alagbala, formal proceedings commenced with an opening performance by Shigo Art. Later, convener Godson Osarenren welcomed attendees, reaffirming the festival’s mission to celebrate poetry as a living, breathing reflection of human experience.
School performances infused the stage with youthful energy and promise. Students from Tender Age School, Ebute Meta, Lagos, delivered engaging presentations, followed by Vicmob School, Shasha, Lagos, which gave a compelling performance – both underscoring the growing influence of poetry among younger generations.
The literary depth of the event was further enriched with a dramatic rendition of Abiku by Wole Soyinka, which was performed by Kemistree Bakare with emotional resonance. This transitioned seamlessly into the keynote address delivered by Prof. Chris Anyokwu titled ‘Poetry, A Face in Different Phases’.
In a sweeping reflection, Anyokwu explored poetry’s evolution from its oral and ritualistic roots to its present-day digital expressions, emphasizing its enduring relevance as both art and social commentary.
The programme continued with a standout performance by Tolulope Joseph, popularly known as TJ Omo Pastor whose delivery added a contemporary spoken word dimension.
A defining moment of the festival was the screening of a poetic short film produced by the Naija Poetry Fest community. Rich in imagery and emotion, the film explores themes of trauma and resilience, leaving a lasting impression and reinforcing poetry’s role as a tool for healing and reflection.
Another landmark moment came with the official launch of Naija Poetry Fest album, Poetrymylitis, which represents a bold step in expanding poetry into the audio and digital space, making it more accessible to wider audiences.
Released across major streaming platforms, the project was executed in collaboration with Frequency Room, ensuring high-quality production and sound design.
The panel discussion segment, anchored by Bassey Joshua, featured notable literary voices that engaged in critical discourse on the role of poetry within today’s socio-cultural climate. This was complemented by a special performance from Babatunde Olaoye (BBT), whose artistry seamlessly bridged performance and message.
As the afternoon progressed, the festival entered one of its most anticipated segments – the poetry slam. Featuring a range of emerging voices, the competition culminated in a standout victory for Treasure Obi whose performance earned both critical acclaim and audience admiration.
Running throughout the day were striking visual installations that enriched the exhibition experience. Lanre Sonde’s “Balloon Boy” offered a gentle meditation on hope, fragility and quiet triumph, while Ovie Mac Solomon’s “Insecurities” presented a bold exploration of inner conflict and vulnerability. Both installations invited attendees to engage with poetry beyond performance – through image, stillness and introspection.
In his closing remarks, Godson Osarenren expressed gratitude to participants and reaffirmed the festival’s commitment to nurturing artistic expression in Nigeria.
Indeed, this year’s Naija Poetry Fest did more than commemorate World Poetry Day – it created a dynamic space where tradition met innovation, and where every voice – emerging or established – found expression in the many phases of poetry.
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